On this special episode of Shooting With John we shoot shotguns in Los Angeles with John Adams and talk about the experience of family filmmaking. Knuckle Jack is a wonderful microbudget film made by the Adams family in the backwoods and backyards of upstate New York. Jack is a small-town, foul-mouthed drunk with an artistic gift for thievery. Haunted by a youthful tragedy, he passes through his days in a lonely haze, robbing wealthy weekenders’ homes only to score more drugs, booze and bitterness. When Jack is asked to care for his eight-year-old niece Frankie for one thick, hot Catskill […]

Joey Williams almost always seems calm. He maintains a consistent position when standing, slouched slightly forward with his hands in his pockets. He looks comfortable, but also concentrated. His eyes never break focus from the person he’s addressing, and when he speaks the Tennessee-accented words drift measuredly out of one side of his mouth. Joey doesn’t command attention so much as he gradually, patiently draws it his way. Joey is the main character of Patrick Wang’s directorial debut feature, the American independent film In the Family (2011), which will be released on Blu-ray and DVD this Tuesday. The general contractor, […]

In the debut piece in this column, Letters from Blocked Filmmakers, Drew Whitmire described a relentless perfectionism that led to him continually begin and begin again what was meant to be his debut feature — a 14-year process that resulted in only 15 minutes of footage. In today’s installment, Gregory Austin McConnell describes a related behavior: a continual re-envisioning of his feature as he ages and his own life circumstances change. Characters, storylines and tone all mutate as McConnell’s teenage dreams give way to adult realities — realities that bring not only creative change but also family responsibilities that make […]

Never one to shy away from difficult topics, Italian actress Valeria Golino chose the subject of euthanasia for her feature directorial debut, Miele. Showing the human stories behind an issue few want to discuss, with Miele Golino succeeds in creating a film that is both touching and sincere. Playing in this year’s Un Certain Regard in Cannes, it tells the story of a young Italian women, Irene (Jasmine Trinca), who travels once a month to Mexico to buy over-the-counter barbiturates designed to put dogs to sleep. Back home, Irene goes by the name Miele, or “Honey,” delivering the drugs to terminally ill […]

The most evocative and engrossing picture this writer has ever encountered about the life and times of a thinker is Hannah Arendt, German filmmaker and actress Margarethe von Trotta’s magnificent meditation on the incendiary political theorist. Reuniting with her Vision (2009) and Rosa Luxemburg (1986) star Barbara Sukowa, the ex-Fassbinder muse has delivered a titanic and highly unusual work, a film of rare intelligence that animates the life of a protean mind in a manner that is at once spartan, highly dramatic, and incredibly timely. Hannah Arendt focuses on the period immediately before, during and after Arendt’s famous coverage of the Adolf Eichmann […]

James Gray’s The Immigrant is Classic Hollywood melodrama, done incredibly well, a film that powerfully portrays the emotional journey of a Polish immigrant, Ewa (Marion Cotillard), and her pimp, Bruno (Joaquin Phoenix). It offers a powerful historical account of the connections between the mass immigration to the United States and the often desperate desire to achieve the American Dream, while also serving as a brutal reminder of the ways in which that dream was exploited by people who were willing to take advantage of new arrivals, many of whom were overwhelmed by their new home. Gray’s film borrows from classical […]

There are few more unlikely and inspiring filmmaking success stories than that of Rama Burshtein. The 46-year-old New York City-born, Israel-based writer/director of Fill the Void had previously made handful of films specifically aimed at Jewish Orthodox audiences, but had defined herself primarily as a mother and a wife. Now she has become the first Israeli Orthodox woman to direct a film intended for those outside the Orthodox community. After going through the Sundance Screenwriting Labs, Burshtein’s debut feature had a remarkable festival run last year, world premiering without much fanfare at the Jerusalem Film Festival but then going on to play at Venice (where […]

Alexander Payne’s Nebraska is an impressive achievement, a fresh and innovative take on that most familiar of genres, the road movie, one that takes conventions about the American heartland and turns them on their head. It’s also a story about a father and son learning to see and understand each other for the first time. The film opens with a shot of Woody Grant (Bruce Dern in what should be a performance that collects numerous awards) shuffling purposefully down a Billings, Montana, highway, his scraggly beard, limping gait and weathered face suggesting a man who has struggled for the little […]

Made quickly and on the cheap, prolific South Korean director Kim Ki-duk’s 18th film, Pieta, is an often disturbing revenge tale, moody and morally challenging, where redemption for one of recent cinema’s most dark-hearted anti-heroes seems just out of grasp. Kang-do (Lee Jung-jin) is a pitiless and anger-fueled debt collector for a equally brutal moneylender who specializes in forcing his often destitute debtors to commit insurance fraud in order to pay back what they owe him. Living a comfortless and filthy existence in the same slum as many of his victim, Kang-do has not a friend or a care in the […]

Jeff Nichols, a product of the vibrant class of the North Carolina School of the Arts film program that also produced David Gordon Green, Craig Zobel, Michael Tully, Jody Hill, Tim Orr, and Danny McBride, announced himself as a highly talented young filmmaker with his 2007 debut Shotgun Stories. The slow-burning rural drama was gorgeously shot in Scope and revealed Nichols’ ambition to create cinema on a big canvas, even when his budgets were small. Four years later, his sophomore feature, Take Shelter, about a father who believes an apocalyptic storm is coming, caught the imagination of both critics and […]

Sun Don’t Shine is being distributed by Factory 25 and opens theatrically on April 26, 2013, in NYC and Seattle, in addition to becoming available on VOD. It world premiered at the 2012 SXSW Film Festival. Visit the film’s Facebook page to learn more. NOTE: This review was first published at Hammer to Nail on November 29, 2012, in conjunction with the film’s ‘Best Film Not Playing At A Theater Near You’ nomination. We hear it before we see it. A sharp, resounding slap jumps out from the soundtrack. Milliseconds later, the first jittery, violent, sweaty images of Amy Seimetz’s […]

An Oversimplification of Her Beauty is such a fine, rare bird: Terence Nance’s Gotham Award-winning debut film is, regardless of its aesthetic pyrotechnics and self-reflexivity (it consists of a series of short experimental films that radically deconstruct Nance’s romantic foibles), wholly, fully, truly accessible to everyone. If Hollis Frampton and Nina Paley had somehow, through the force of magic realism, had a black love child, it would have grown up to direct something like this. It’s altogether unusual strategy for detailing Nance’s obsessive courtship of a young woman named Namik Minter — using reenactments, direct address, doc interviews, stop-motion and traditional animation to […]

Nathan Silver’s Exit Elena was one of the surprises in the 2012 crop of American indies, a delightfully idiosyncratic lo-fi portrait of a withdrawn live-in nurse who becomes a key figure in the family household where she’s working, far beyond her professional role. The film, which featured all non-actors including Silver’s mother, girlfriend and Silver himself, premiered at Edinburgh and has played around the world since then, in the process winning fans such as director Hal Hartley and Filmmaker‘s own Brandon Harris (who recently programmed the film as part of Hammer to Nail‘s screening series). Though Exit Elena is still on […]

It’s rare to come across a film that genuinely feels “different,” but Bob Byington’s Somebody Up There Likes Me is one of those films. Byington is an Austin-based writer/director and has worked (on both sides of the camera) with a number of mumblecore and post-mumblecore figures, directing Justin Rice and Alex Karpovsky in his 2009 feature Harmony and Me while also cameoing in Andrew Bujalski’s Beeswax and Alex Ross Perry’s The Color Wheel. His recent films, the gleefully edgy RSO [Registered Sex Offender] and the charming, sweet Harmony, were quirky indie comedies but definitely felt like they fit within a […]

While probably best known as belligerent barista Ray on the HBO show Girls (and also for his role as a lousy houseguest in Lena Dunham’s Tiny Furniture), Alex Karpovsky started out and continues to be a prolific indie film director who makes diverse styles of micro-budget films. His fourth and fifth films, the stylistically contrasting Rubberneck and Red Flag, are being released by Tribeca Film and screen at Film Society of Lincoln Center from February 22. In Rubberneck, Karpovsky plays a scientist obsessed with a former fling, and in the road trip comedy Red Flag he plays a filmmaker named Alex Karpovsky who is […]

In Canadian writer/director Ruba Nadda’s elegant and oddly topical thriller Inescapable, Adib Abdul-Kareem (Alexander Siddig) is a computer operations manager at a Toronto bank who fled Syria some 30 years ago. Married to a Canadian with whom he’s fathered two pretty teenage girls, he’s kept his checkered past a secret from his family the whole time, but after the disappearance of the older of his two daughters (Jay Anstey) during a clandestine visit to Syria in order to find out where her father is from, Adib heads to Damascus despite the possibility of repercussions for long ago sins. With combative ex-flame […]