Canon | Filmmaker Magazine https://filmmakermagazine.com Publication with a focus on independent film, offering articles, links, and resources. Mon, 19 Sep 2022 19:22:56 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.2 IBC Show 2022: The Fresh Gear Filmmakers Should Know About https://filmmakermagazine.com/116579-ibc-show-2022/ Mon, 19 Sep 2022 19:22:56 +0000 https://filmmakermagazine.com/?p=116579

IBC Show was back in full swing with its familiar multi-day in-person event, with more than 37,000 smiling faces eager to attend the festivities. The Amsterdam gala is like no other trade show in the industry, pinning studios, media entertainment companies, tech innovators, software providers, filmmakers and creators under one roof. You can literally have a meeting with Google or Amazon AWS in the morning, then learn about the latest offerings from Canon, Sony or Avid in the afternoon. Similar to this year’s NAB Show and Cine Gear Expo LA, the future of technology was a buzzy topic on the […]

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A Love Story Underneath an Animal Rescue Story: Director Richard Miron, Co-Editor Jeffrey Star and Producer Holly Meehl on For the Birds https://filmmakermagazine.com/107605-a-love-story-underneath-an-animal-rescue-story-director-richard-miron-editor-jeffrey-star-and-producer-holly-meehl-on-for-the-birds/ https://filmmakermagazine.com/107605-a-love-story-underneath-an-animal-rescue-story-director-richard-miron-editor-jeffrey-star-and-producer-holly-meehl-on-for-the-birds/#respond Fri, 31 May 2019 20:35:48 +0000 https://filmmakermagazine.com/?p=107605

If there’s one thing we can be sure of about Kathy Murphy, the middle-aged woman at the center of the moving debut feature, For the Birds, by director Richard Miron, it’s that she loves animals. Birds in general, ducks and turkeys in particular. Kathy has been “collecting” them for years now on her small makeshift farm in Upstate New York alongside her begrudging husband, Gary. Less an obsession than an inherent need, Kathy values her birds above all else, and as crowding and cleanliness prompt local animal sanctuaries to threaten legal action of behalf of the wellbeing of Kathy’s feathered […]

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NAB 2017: The Interesting Stuff https://filmmakermagazine.com/102331-nab-2017-the-interesting-stuff/ https://filmmakermagazine.com/102331-nab-2017-the-interesting-stuff/#respond Mon, 01 May 2017 14:25:16 +0000 https://filmmakermagazine.com/?p=102331

Last week was the annual NAB show. Every year in April the film and television community comes together in Las Vegas to “ooh” and “ah” over the latest technology. With so much announced and demonstrated, here are the most interesting things I heard about: Blackmagic DaVinci Resolve 14. Blackmagic announced several new products, but the most interesting — once again — was a major update to DaVinci Resolve. Version 14, which is available now in beta, claims a number of performance enhancements that make it up to 10 times faster than the previous version. Resolve also has an entirely new audio […]

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Film Versus Digital: the Canon 7E and 5D https://filmmakermagazine.com/82956-film-versus-digital-the-canon-7e-and-5d/ https://filmmakermagazine.com/82956-film-versus-digital-the-canon-7e-and-5d/#comments Thu, 19 Dec 2013 21:39:59 +0000 https://filmmakermagazine.com/?p=82956

Despite the rise of the digital medium, its constant comparisons to film are not likely to die down any time soon. In this short video for PBS Digital Studios, Shanks FX produces several animated juxtapositions of images captured by a digital Canon 5D versus a Canon 7E film camera. A few of the results may surprise you: digital filters can render filmic qualities — specifically its grains and imperfections — rather accurately. From the other side of the equation, you may be surprised to see just how deep color schemes appear on film relative to high-quality video. Take a look […]

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City World Director Brent Chesanek https://filmmakermagazine.com/71827-city-world-director-brent-chesanek/ https://filmmakermagazine.com/71827-city-world-director-brent-chesanek/#respond Wed, 05 Jun 2013 19:25:04 +0000 https://filmmakermagazine.com/?p=71827

Among the discoveries at the 2012 edition of CPH:DOX was Brooklyn-based Brent Chesanek’s City World, which is part magic realist children’s adventure tale and part austere landscape documentary. Over precisely framed tableaux shot in his hometown of Orlando, FL — nearly all of them completely absent of people — Chesanek drapes the narration of a young boy mulling the breakup of his family and subsequent move, with his father, to this Southern city. As in another recent film, General Orders No. 9, contemporary landscape photography is presented as historical residue meant to be both meditated on and explicated. Drained of […]

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Shooting in Snow and Ice with the Canon C100: Interview with Ben Pender-Cudlip https://filmmakermagazine.com/72081-shooting-in-snow-and-ice-with-the-canon-c100-interview-with-ben-pender-cudlip/ https://filmmakermagazine.com/72081-shooting-in-snow-and-ice-with-the-canon-c100-interview-with-ben-pender-cudlip/#respond Tue, 04 Jun 2013 14:00:20 +0000 https://filmmakermagazine.com/?p=72081

Ben Pender-Cudlip is a Boston-based documentary filmmaker who recently switched from shooting with a DSLR to the Canon C100. His first project shot on the C100 was a short that included a segment on ice climbing. In this second part of our interview with him about switching to the C100, Pender-Cudlip talks about the project and what it was like to use the camera in these conditions. Filmmaker: How did this project come about? Pender-Cudlip: It’s a film for a woman named Lauren Schaad. She approached me about shooting a TV pilot. She was looking to get into reality TV […]

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Switching from a DSLR to the Canon C100: Interview with Ben Pender-Cudlip https://filmmakermagazine.com/72018-switching-from-a-dslr-to-the-canon-c100-interview-with-ben-pender-cudlip/ https://filmmakermagazine.com/72018-switching-from-a-dslr-to-the-canon-c100-interview-with-ben-pender-cudlip/#comments Mon, 03 Jun 2013 14:00:57 +0000 https://filmmakermagazine.com/?p=72018

Ben Pender-Cudlip is a Boston based filmmaker who specializes in nonfiction work. His short film Sanjiban, which chronicles the passing of filmmaker Sanjiban Sellew, premiered at Hot Docs last year. Ben recently switched from shooting on a DSLR to the Canon C100. In part one of this interview he talks about his experience switching to the C100, and in part two he talks about the first major project shot with the camera: documenting an ice-climbing expedition. Filmmaker: What were you using prior to getting the C100? Pender-Cudlip: Before the C100 I was using a Canon 60D, which is sort of […]

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Bryce Dallas Howard on Project Imaginat10n https://filmmakermagazine.com/70482-bryce-dallas-howard-on-project-imaginat10n/ https://filmmakermagazine.com/70482-bryce-dallas-howard-on-project-imaginat10n/#respond Mon, 13 May 2013 18:22:31 +0000 https://filmmakermagazine.com/?p=70482

Back in 2011, Canon approached director Ron Howard about creating a short film inspired by a framework of eight photographs, which were culled from over 100,000 submissions through an online contest. Howard declined on account of his busy schedule, but offered to mentor a filmmaker through the process. His pupil in Project Imagin8ion was none other than his daughter, actress Bryce Dallas Howard. Through the exercise, Bryce crafted the 29-minute when you find me, a short film written by Dane Carbeneau about two sisters grappling with the death of their mother through space and time. A photograph of a dilapidated […]

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Animating 1000 Parts: Creating the Short Day Shift https://filmmakermagazine.com/65812-animating-1000-parts-creating-the-short-day-shift/ https://filmmakermagazine.com/65812-animating-1000-parts-creating-the-short-day-shift/#respond Wed, 27 Feb 2013 14:00:35 +0000 https://filmmakermagazine.com/?p=65812

Ian Timothy, 18, is about to graduate high school — applying to art schools hoping to study animation — but he already has several years of animation experience under his belt. He created his first stop motion at 12 using a DV camera, and quickly discovered he liked doing it so much that it became “pretty much a full-time thing.” Timothy won a Silver Telly Award for animation in 2013, has created animation for music videos, and is currently working on an animation for Adult Swim for the Cartoon Network. In the following interview Timothy talks about the short Day […]

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The Week in Cameras: The Empire and the Rebellion https://filmmakermagazine.com/57383-the-week-in-cameras-the-empire-and-the-rebelliom/ https://filmmakermagazine.com/57383-the-week-in-cameras-the-empire-and-the-rebelliom/#respond Mon, 05 Nov 2012 17:26:00 +0000 http://stage.filmmakermagazine.com/?p=57383

This week saw Sony announce two new cameras, the PMW-F5 and PMW-F55, as well as some details about 4K recording for the NEX-FS700. Unfortunately, they didn’t announce many pricing details, other than the $2,000 price for the interface unit for the NEX-FS700. The cameras are expected in January, and pricing information will probably come sometime in December, but we have been left to depend on whispers from those who say they have been told numbers, even though Sony continues to say that they haven’t told anyone the prices. That said, it appears that the PMW-F5 will be under $20,000 and […]

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The Empire Strikes Back: Canon Goes 4K https://filmmakermagazine.com/44099-the-empire-strikes-back-canon-goes-4k/ https://filmmakermagazine.com/44099-the-empire-strikes-back-canon-goes-4k/#respond Fri, 13 Apr 2012 14:34:47 +0000 http://www.filmmakermagazine.com/news/?p=44099

Was it only last week that Sony announced the NEX-FS700, and had everyone wondering where this left the Canon C300? One week later and Canon has seemingly fired back a huge broadside, announcing not one, but two new cameras; the EOS-1D C, (a 4K video DSLR that Canon had pre-preannounced at the unveiling of the C300 late last year) and the C500, a true 4K version of the C300. Note that the C500 – like the C300 – will be available in two variants; one with an EF mount, and the other with a PL mount. For those who haven’t […]

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The Software Camera https://filmmakermagazine.com/35348-the-software-camera/ https://filmmakermagazine.com/35348-the-software-camera/#comments Mon, 28 Nov 2011 16:55:22 +0000 http://www.filmmakermagazine.com/news/?p=35348 We’ve seen several revolutions in the world of camera design over the past ten years; HD video, solid state recording, DSLRs, and large sensor cameras, but one that is often overlooked is the arrival of the software camera. It used to be that when a camera was released its features were set in stone, and only the arrival of a new model – or a very rare recall – saw any changes in the capabilities of the camera. That has changed as the computer-like functionality of video cameras has expanded. As just one example, there were two amazing things about […]

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Reaction To The Canon C300 And Red-Scarlet-X: Part Two https://filmmakermagazine.com/34289-reaction-to-the-canon-c300-and-red-scarlet-x-part-2/ https://filmmakermagazine.com/34289-reaction-to-the-canon-c300-and-red-scarlet-x-part-2/#comments Mon, 14 Nov 2011 14:00:50 +0000 http://www.filmmakermagazine.com/news/?p=34289

In my previous blog post I interviewed several directors of photography who are shooting material for web and television to get their reactions to the recent Canon and RED announcements. You might sum up their reactions as, “We wanted to like the Canon, but it’s too expensive!” To complete the picture, I talked to a couple of people who have worked on a number of indie films, and have worked extensively with cameras like the RED and Arri Alexa. Finishing Artist and VFX Supervisor Dermot Shane is based in Vancouver and routinely works with material from REDs, and Arri’s (both […]

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Reaction To The Canon C300 And Red Scarlet-X: Part One https://filmmakermagazine.com/34055-reaction-to-the-canon-c300-and-red-scarlet-x/ https://filmmakermagazine.com/34055-reaction-to-the-canon-c300-and-red-scarlet-x/#comments Tue, 08 Nov 2011 17:21:37 +0000 http://www.filmmakermagazine.com/news/?p=34055

The dust is still settling from the recent announcements from Canon and RED, and many of us are trying to figure out what it all means: is the Canon too expensive? The Scarlet too complicated? Will they have a big impact, or are these cameras outside the reach of most indie filmmakers? Ultimately, we won’t know their impact until these cameras start shipping in quantity, but I asked some DP/Editors to share their initial reactions to the cameras. Max Esposito is a DSLR shooter who is looking to upgrade from the Canon 5D Mark II, but says he doesn’t think […]

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CANON ANNOUNCES EOS-1D X https://filmmakermagazine.com/32773-canon-announces-eos-1d-x/ https://filmmakermagazine.com/32773-canon-announces-eos-1d-x/#comments Tue, 18 Oct 2011 15:13:04 +0000 http://www.filmmakermagazine.com/news/?p=32773 Get ready for the next round of DSLRs — Canon has just announced their EOS-1D X. From Engadget: Stick a piece of gaffer tape over the unmistakable X, and Canon’s latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon’s phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging […]

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Trolls Vs. Lou Reed at Sundance https://filmmakermagazine.com/19682-trolls-vs-lou-reed/ https://filmmakermagazine.com/19682-trolls-vs-lou-reed/#comments Tue, 25 Jan 2011 08:13:32 +0000 http://www.filmmakermagazine.com/news/?p=19682 Quintessential Sundance experience: I arrived in Park City earlier today. Got my badge. Went to The Troll Hunter because, well, I like monster movies. And trolls? I love trolls! The Troll Hunter is kind of like Troll 2, except with, you know – good special effects, decent actors, a coherent story…that being said, I’m a die-hard Troll 2 fan and will continue to sing its praises. But I digress. After The Troll Hunter, I saw a film that will probably go down as the worst of the festival. Tons of walkouts. Awkward laughter. Not really a “so-bad-it’s-good” movie. Just awful. […]

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