Sony | Filmmaker Magazine https://filmmakermagazine.com Publication with a focus on independent film, offering articles, links, and resources. Mon, 19 Sep 2022 19:22:56 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.2 IBC Show 2022: The Fresh Gear Filmmakers Should Know About https://filmmakermagazine.com/116579-ibc-show-2022/ Mon, 19 Sep 2022 19:22:56 +0000 https://filmmakermagazine.com/?p=116579

IBC Show was back in full swing with its familiar multi-day in-person event, with more than 37,000 smiling faces eager to attend the festivities. The Amsterdam gala is like no other trade show in the industry, pinning studios, media entertainment companies, tech innovators, software providers, filmmakers and creators under one roof. You can literally have a meeting with Google or Amazon AWS in the morning, then learn about the latest offerings from Canon, Sony or Avid in the afternoon. Similar to this year’s NAB Show and Cine Gear Expo LA, the future of technology was a buzzy topic on the […]

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NAB 2017: The Interesting Stuff https://filmmakermagazine.com/102331-nab-2017-the-interesting-stuff/ https://filmmakermagazine.com/102331-nab-2017-the-interesting-stuff/#respond Mon, 01 May 2017 14:25:16 +0000 https://filmmakermagazine.com/?p=102331

Last week was the annual NAB show. Every year in April the film and television community comes together in Las Vegas to “ooh” and “ah” over the latest technology. With so much announced and demonstrated, here are the most interesting things I heard about: Blackmagic DaVinci Resolve 14. Blackmagic announced several new products, but the most interesting — once again — was a major update to DaVinci Resolve. Version 14, which is available now in beta, claims a number of performance enhancements that make it up to 10 times faster than the previous version. Resolve also has an entirely new audio […]

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The Reel Distribution Politik of The Interview https://filmmakermagazine.com/88779-the-reel-distribution-politik-of-the-interview/ https://filmmakermagazine.com/88779-the-reel-distribution-politik-of-the-interview/#respond Wed, 24 Dec 2014 18:29:23 +0000 https://filmmakermagazine.com/?p=88779

The year’s most fascinating entertainment story gets even more so today, as the Seth Rogen/James Franco North Korea-baiting The Interview becomes available for online rental and purchase via YouTube, Google Play and Sony’s own site, with a limited theatrical release occurring tomorrow. (As I post this, Sony’s site just reveals the film’s poster art.) Only days after issuing a statement saying the studio “had no plans” to release the film, it has suddenly become the poster child for the day-and-date exhibition of a studio release — a distribution strategy the theater chains have been balking at for years. From Todd […]

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Sony Responds to RED, Blackmagic Fix and Avid Continues to Decline https://filmmakermagazine.com/66162-sony-responds-to-red-blackmagic-fix-and-avid-continues-to-decline/ https://filmmakermagazine.com/66162-sony-responds-to-red-blackmagic-fix-and-avid-continues-to-decline/#comments Mon, 04 Mar 2013 14:16:34 +0000 https://filmmakermagazine.com/?p=66162

Two weeks ago RED announced that they were suing Sony for patent infringement for technology used in Sony’s PMW-F5, PMW-F55, and F65 cameras. Last week Sony posted a response on their Pro video website. First noting that the F65 has been commercially available for over a year, and that the F5/F55 were announced in October, they go on to say: Sony has now had an opportunity to study Red’s complaint and the asserted patents, and categorically denies Red’s allegations. Sony intends to defend itself vigorously in the Red lawsuit. Sony looks forward to prevailing in court, thus vindicating the Sony […]

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The Week in Cameras: The Empire and the Rebellion https://filmmakermagazine.com/57383-the-week-in-cameras-the-empire-and-the-rebelliom/ https://filmmakermagazine.com/57383-the-week-in-cameras-the-empire-and-the-rebelliom/#respond Mon, 05 Nov 2012 17:26:00 +0000 http://stage.filmmakermagazine.com/?p=57383

This week saw Sony announce two new cameras, the PMW-F5 and PMW-F55, as well as some details about 4K recording for the NEX-FS700. Unfortunately, they didn’t announce many pricing details, other than the $2,000 price for the interface unit for the NEX-FS700. The cameras are expected in January, and pricing information will probably come sometime in December, but we have been left to depend on whispers from those who say they have been told numbers, even though Sony continues to say that they haven’t told anyone the prices. That said, it appears that the PMW-F5 will be under $20,000 and […]

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Sony Announces F5, F55 and Other Toys https://filmmakermagazine.com/57288-sony-announces-f5-f55-and-other-toys/ https://filmmakermagazine.com/57288-sony-announces-f5-f55-and-other-toys/#comments Wed, 31 Oct 2012 15:39:49 +0000 http://stage.filmmakermagazine.com/?p=57288

On October 30th, Sony announced two new cameras; the PMW-F5 and PMW-F55. Both cameras bring 4K capture, a common modular design and some new technologies to Sony’s CineAlta line of cameras. Unfortunately, what Sony didn’t release was pricing or sample video. The pricing may come in a couple of weeks, and video will reportedly be released sometime near the end of November. Actual cameras will ship in January 2013. This leaves us to look at the pictures of the shiny new boxes and study the specs and go, “That looks nice,” or as Philip Bloom put it, “I want an […]

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The Week in Cameras: An October Surprise https://filmmakermagazine.com/57208-the-week-in-cameras-an-october-surprise/ https://filmmakermagazine.com/57208-the-week-in-cameras-an-october-surprise/#respond Mon, 29 Oct 2012 18:31:28 +0000 http://stage.filmmakermagazine.com/?p=57208

This Tuesday we have the big announcement of “The New F” from Sony to look forward to. Will it be amazing? Sony is certainly talking it up, billing it as “The Future, Ahead of Schedule.” Peter Crithary of Sony has tweeted: Peter Crithary @CineAltaNews Those few that have seen, and know the features, their reaction is #GameChanger Of course, he’s from Sony, so he might be expected to say that. Filmmaker Sebastian Wiegärtner has said: Sebastian Wiegärtner @wiegaertner #TheNewF announcement will be very tough for some big players in the industry! I was so surprised yesterday! And Andy Shipsides of […]

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THIS IS WHAT THE (OBSCURE) MOVIES DID TO ME IN 2011 https://filmmakermagazine.com/36957-this-is-what-the-obscure-movies-did-to-me-in-2011/ https://filmmakermagazine.com/36957-this-is-what-the-obscure-movies-did-to-me-in-2011/#comments Thu, 05 Jan 2012 14:00:27 +0000 http://www.filmmakermagazine.com/news/?p=36957 They moved me. Often deeply, in ways I failed to articulate to myself until much later. That is, of course, the whole reason I go to the movies, to have some sort of visceral, emotional (or intellectual) response, be it laughter or sadness or pain or empathy or disgust or profound understanding. Why else do it? Nothing, beside having those emotions, meets the criteria of entertainment, at least for me. See, I’m one of those lucky few that gets to travel the world just to see films. Crazy, I know, especially in this era of not so cheap oil, but it’s […]

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The Software Camera https://filmmakermagazine.com/35348-the-software-camera/ https://filmmakermagazine.com/35348-the-software-camera/#comments Mon, 28 Nov 2011 16:55:22 +0000 http://www.filmmakermagazine.com/news/?p=35348 We’ve seen several revolutions in the world of camera design over the past ten years; HD video, solid state recording, DSLRs, and large sensor cameras, but one that is often overlooked is the arrival of the software camera. It used to be that when a camera was released its features were set in stone, and only the arrival of a new model – or a very rare recall – saw any changes in the capabilities of the camera. That has changed as the computer-like functionality of video cameras has expanded. As just one example, there were two amazing things about […]

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Leitner’s Mondo NAB, Part 3: SSD, Tapes and Storage https://filmmakermagazine.com/22376-leitners-mondo-nab-part-three/ https://filmmakermagazine.com/22376-leitners-mondo-nab-part-three/#respond Sun, 27 Nov 2011 15:00:44 +0000 http://www.filmmakermagazine.com/news/?p=22376

Originally posted April 2011. At back-to-back press conferences prior to the opening of NAB’s show floor, both Panasonic and Sony acknowledged the still-unfolding natural disaster in Japan and asked that our thoughts be with the Japanese people. Sony added that despite critical damage to its media plant in Sendai, supplies of HDCAM-SR tape would return to normal by June. Sony’s Sendai Technology Center (which I’ve visited) practically invented the high-performance tapes necessary to DV and HDV (metal evaporated) and HDCAM-SR (metal particle), and still manufactures a preponderance of them. Having persuaded both film and television industries to adopt HDCAM-SR as […]

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Leitner’s Mondo NAB, Part 1 https://filmmakermagazine.com/22160-leitner%e2%80%99s-mondo-nab-%e2%80%93-monday-april-11/ https://filmmakermagazine.com/22160-leitner%e2%80%99s-mondo-nab-%e2%80%93-monday-april-11/#respond Sun, 27 Nov 2011 14:55:35 +0000 http://www.filmmakermagazine.com/news/?p=22160

Originally posted April 2011. The big NAB show in Las Vegas opened Monday, and I’ll be filing reports for Filmmaker’s readers at the end of every day through Thursday, when the show floor closes. For those unfamiliar with NAB, it stands for National Association of Broadcasters, a powerful trade association and influential Washington lobby, no bastion of progressive politics. But for filmmakers and indie producers, it also stands for the huge annual April trade show in Vegas, where the latest in cameras, lenses, recorders, lighting, audio, and all manner of production gear are introduced. TV execs, techies, DPs, and crew […]

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SONY DISTRIBUTION CENTER DESTROYED DURING LONDON RIOTS https://filmmakermagazine.com/27640-sony-distribution-center-destroyed-during-london-riots/ https://filmmakermagazine.com/27640-sony-distribution-center-destroyed-during-london-riots/#comments Tue, 09 Aug 2011 19:01:41 +0000 http://www.filmmakermagazine.com/news/?p=27640 As the riots in London continue, with statistics including 563 people arrested, one man shot, emergency services attacked and multiple police officers injured in the last three days, last night the Pias/Sony distribution center in Enfield, London was set on fire by looters (see video below). Hundreds of thousands of CDs and DVDs were destroyed. Reports say independent filmmakers and music producers will be hit the hardest as the building was Sony’s only depot for CDs and DVDs in Britain.

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DOWN AND OUT… WITH NO MUSIC https://filmmakermagazine.com/2058-down-and-out-with-no-music/ https://filmmakermagazine.com/2058-down-and-out-with-no-music/#respond Sun, 13 Nov 2005 16:40:00 +0000 http://filmmakermagazine.net/news/2005/11/down-and-out-with-no-music/ Sony/BMG’s debacle over the “rootkit” copy protection on their music CDs has gotten a lot of hilarious press in the last few days. If you haven’t been following the story, the digital rights management software contained on Sony music CDs burrows deep into your operating system where it does Many Bad Things, including act as Trojan horse for a lot of malware and bad viruses. As documented by the Electronic Frontier Foundation, however, Sony/BMG has added insult to injury by concocting a draconian end-user license agreement that treats a CD-buyer like some sort of pauper out of a Dickens’ novel. […]

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