After supporting a range of programs uplifting the independent film community, including Sundance’s Art of Nonfiction and the Dear Producer Award, philanthropist, grant maker and producer and executive producer (Pahokee, Aleph, The Tuba Thieves), Maida Lynn recently announced through her company Facet a new “experimental” initiative, the Producer Group. Rather than the traditional model of providing project-specific support that sees grantees working individually, and different in many ways from the prevalent “lab” model, where supported filmmakers gather for brief bursts of mentorship from industry professionals, the Producer Group will attempt to foster collaboration between producers and “create a space for […]

Vu just announced a new product that aims to make virtual production a lot more accessible: the Vu One. It’s two parts. One part turnkey virtual production studio in a (very, very, big) box. One part Vu’s Virtual Studio, a software platform that makes creating and running virtual scenes a lot easier. Let’s break down both parts. Complete Virtual Production Setup Vu One offers a complete, configurable VP setup, which includes: LED Wall by Unilumin, with sizing starting at 13×9 ft Media Server by Puget Systems LED Processor by Megapixel Stereoscopic camera tracker (more on that below) Optional camera tracker […]

I got a call from my agents, and they told me they had a script they wanted me to read. It was called The List, a broad romantic comedy about a woman who finds out her fiancé had slept with someone on his celebrity free pass list, so she decides to go to Los Angeles and try to get with someone from hers. My initial thoughts were, great concept, and why me? When I finished the script my thoughts were, needs some work, and why me? My first film was something I had written and directed called All These Small […]

Action director Lawrence Ribeiro has appeared in Filmmaker‘s pages before, writing about pre-viz’ing a fight scene and stunt training. Recently he has been directing a series of car chase short films, with the latest, Part Deux: The Chase, racking up 1.5 million views on YouTube. As he writes, these days he’s “working to expand Action Realism with upcoming projects that marry speed and movement with legendary talents in music and sound.” Here, in a conversation submitted by production company Art & Action Productions, he answers questions about the film, which can also be watched below. What was the purpose behind […]

Neither Barbie production designer Sarah Greenwood nor set decorator Katie Spencer had Barbie dolls growing up. “Or a DreamHouse, or anything,” recalls Greenwood, who joined Filmmaker on Zoom alongside Spencer following the record-breaking opening of Greta Gerwig’s feminist smash hit. “I was probably a little judgmental about Barbie until this film — I fell into that camp. But I kind of readdressed my thoughts after meeting this Barbie, and [its creator] Ruth Handler.” Spencer adds, “And [after] meeting Greta. We were a part of the backlash generation. Even if we wanted a Barbie, I don’t know that our parents would have […]

SAG-AFTRA is joining WGA on the Hollywood picket lines. Following the collapse Wednesday of its negotiations with the Alliance of Motion Picture and Television Producers (AMPTP), the union voted to strike, effective tonight at 12:01 AM. It’s the union’s first motion picture and television strike since 1980 and the first time since 1960 that both the actors’s and writers’ unions have concurrently struck. “We had no choice,” said SAG-AFTRA President Fran Drescher at a live-streamed news conference this afternoon. “We are the victims here. We are being victimized by a very greedy entity.” She continued, “I cannot believe it, quite […]

At NAB I had a mission: find out what new products are making virtual production more affordable, more accessible, and not require a master’s degree in Unreal. Fortunately, I found a few options. Plus some new tools that are blending generative AI with virtual production. Let’s dig into what’s new in VP from NAB. Budget-Friendly Virtual Production First is the VIVE Mars CamTrack—a complete package for creating an affordable virtual volume. HTC’s VIVE has been in the virtual reality space for a while, with some of the top VR headsets. They also make the VIVE Tracker, a palm-sized puck that can track […]

From uploading to the cloud to editing in the cloud to collaborating across the cloud, there was no shortage of new tools and workflow ideas at NAB to help shoot and edit quicker regardless of where your team is located across the globe. Let’s dive into a few of the most interesting updates, from remotely collaborating to remotely working. Camera to Cloud First up, let’s talk about camera-to-cloud workflows.  The biggest update from Frame.io was the extension of the C2C workflow to still photos.  Now, unlike video where you can use an external device from Atomos or Teradek to add […]

The two big product updates from Adobe at NAB were text-based editing in Premiere and still photo support in Camera to Cloud (you can read our coverage on Frame.io updates here). But in chatting with Michael Cioni, Adobe’s Senior Director of Global Innovation, things took a fascinating turn when discussing Firefly, Adobe’s generative AI model, and the future of AI in media production.  Our conversation explored the integration of AI tools in Adobe’s products, as well as the broader implications of AI-driven technologies on the creative process. Michael shared his insights on how the shift towards generative AI solutions could significantly […]

A perk of living in New York is the arrival each autumn of the New York Film Festival, which this year marked a milestone, its 60th edition — kudos to The Film Society of Lincoln Center. I’ve long thought of NYFF as a sampler of what’s happening in world cinema, a box of fine chocolates à la Forrest Gump. New Yorkers attending NYFF are privileged to enjoy choice selections from Cannes, Venice, Berlin, even Sundance. Which is to say, if there are new winds blowing somewhere in Cinema, they will be felt at NYFF. This year, the drained-color look of […]

In making my Watergate historical fiction film 18½, I always knew that coming up with a consistent musical soundtrack was going to be essential for balancing the tone of a film that swings from comedy to thriller to drama at breakneck speed. One genre of music, and indeed one song, “Brasília Bella,” is the key to unlocking not only how our team navigated the tones and themes of the film, but also reflects the scale and scope of making an indie film at the high point of a global pandemic. Around 2018, I started working on the script for 18½ […]

I came to production design as someone who has always loved movies.  I also loved art, design, architecture and photography, so discovering that I could have a career that combined all my loves was one of the greatest moments of my life.   I have a realism-based approach to filmmaking — most of the worlds I create are fictional, but within the context of the film my goal is to make them feel real, grounded, worn, authentic. If a director wants a stylized or surreal approach I would need to find a way to dirty it up and add imperfections to […]

Moderated by Darrien Gipson, Executive Director of SAGindie, this year’s Wonder Women: Producers discussion at the SCAD Savannah Film Festival was a must-catch, mostly for two glaringly obvious reasons, with the first being the wide diversity of the participants. Alongside white Brits Alison Owen (Elizabeth, Saving Mr. Banks, perennial panelist and SCAD Savannah Film Festival Advisory Board member) and manager/producer Laura Berwick (Belfast, All is True, and Sir Kenneth’s longtime rep), there was the English-Jamaican writer/actress/producer Nicôle Lecky (Mood, The Moor Girl) and American actress/producer Jurnee Smollett (Lovecraft Country, Birds of Prey). Then there was the second reason—the presence of “grande dame” of indie […]

Several years back, Jenny Slate and Dean Fleischer-Camp traveled with friends to attend an out of town wedding. Opting to scrimp on lodging costs, the duo shared a crowded hotel room with four other friends. Slate just happened to be the only girl in the group, which led to her adopting a “teeny-tiny” voice to communicate her comparative petiteness to the other men in the room. The voice, a running joke for the rest of the weekend, became the eventual creative spark that would launch a web series, children’s books and feature-length film released by A24.   Soon thereafter, the first […]

How and why What started it all was the 2016 election. I was at the Napa Valley Film Festival showing my documentary The Lost City of Cecil B DeMille, and I remember sitting in my hotel room watching the results come in and being devastated. While in Napa it dawned on me that I had worked on many other people’s films and it was almost two decades since I had made a film of my own. I’d spent much of this time trying to get one particular project made and was not successful. It felt like I was running out […]

I just completed my second feature film, This Is Not a War Story. It’s a narrative hybrid film, complete with combat veterans denouncing war and Tom Waits wailing on the end credits. The film went from a microbudget experiment in 2017 to a Warner Media/HBO release in 2021. The supporting cast is composed entirely of non-actor veterans. We shot for 41 spread-out days, (with no bone-crushing overtime) and with a crew of eight-to-12 dedicated crewmembers functioning as a collective, in the model of a worker co-op. Our schedule was designed around two-week shooting periods, strategically scheduled over a course of […]

In the world of Christopher Nolan’s Tenet, people from the future have figured out how to reverse the entropy of people and objects, making them “time inverted.” Effect precedes cause for inverted objects and people. Inverted bullets return from bullet holes and swirl back into the barrel of the guns that fired them, a fight between an inverted soldier and a soldier operating on regular time looks like a freak-puppet show, and reverse speech sounds like the dream speak from the Red Room in Twin Peaks. All someone has to do to swap their inversion status is enter a turnstile […]

What do you do when you’re a week away from finishing a documentary project about the world’s biggest and most renowned TV series and the world decides to end?  It all began very normally about a year ago. AMC approached the company I work for, IKA Collective, with the concept of creating a docu-series focusing on real-world stories that mirror the fictional worlds of Breaking Bad and Better Call Saul. The show’s creators, Vince Gilligan and Peter Gould were enthusiastic about the idea, and before long I was on my way to Green Bank, West Virginia to document electromagnetic sensitivity; […]

Ted Hope describes himself as a “holistic film producer.” What he means is this: When he signs up for a project, he’s there from the very beginning. And he’s there throughout it all, every step, even well into its streaming after life. Every stage is interconnected, and no parts works without the other. A holistic film producer is one that lives not only in the present but in the past and the future. They also try to advance the film ecosystem and what they perceive as their community in meaningful ways. It’s to see a production from all angles at […]