Filmmaker has two points of intersection with crime drama #FreeRayshawn, one of the first releases on Quibi and scheduled to drop on April 15. Director and executive producer Seith Mann was on Filmmaker‘s 25 New Faces list in 2003. And creator, writer and executive producer Marc Maurino has been a regular contributor for several years. In 2010 he was a blogger out of IFP’s Independent Film Week, which he attended with his debut script, Into the Machine. Several posts ensued, and then one of our great evergreen pieces: “‘It’s Just a General’: How To Take a General Meeting.'” His follow-up […]

“The path of the math is to go fast” — not even a year after the release of Khalik Allah’s second feature, Black Mother, the filmmaker has just released the first trailer of his new feature, IWOW (I Walk on Water). The film is said to be three hours long, and the trailer length — seven minutes — is thus appropriately relational. Here’s Allah’s statement accompanying the video: Peace. From the most illest iambic pentameter visual photographer. Allah’s 5% student doctor. I’m around the 85% again. Straight up Ren & Stimpy. The pitiful situation of my people is the person […]

Premiering today from Focus Features is the trailer for writer/director highly anticipated Eliza Hittman’s Never Rarely Sometimes Always. Produced by Adele Romanski, Sara Murphy and Rose Garnett, shot by Hittman’s Beach Rats DP Hélène Louvart, and edited by Scott Cummings, the film is described as “an intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder) embark across state lines to New York City on a fraught journey of friendship, bravery and compassion.” The trailer is set to a track by […]

A slightly belated posting here to recognize 25 New Face filmmaker Kyle Henry’s latest feature, the Chicago-set relationship drama Rogers Park, which is extended at Cinema Village through this coming Thursday, May 10. After theatrical openings in New York and L.A., the film has cemented a rare 100% rating on Rotten Tomatoes, with Glenn Kenny writing in the New York Times, “The superb actors, given opportunities to go for broke, make each one count, and make the movie worth watching.” Henry has been in the independent trenches for nearly two decades, with features including the superb psychological drama Room and […]

Filmmaker and No Film School founder Ryan Koo — one of our 2008 25 New Faces of Independent Film — has been working on his debut feature for years. His extremely successful Kickstarter (over $140,000!) launched in 2011, and in a series of updates — and one 2013 Filmmaker interview — he’s been transparent about the long road that developing and making a first feature can become. Well, Netflix ultimately came on board to finance the film, and now there’s a first trailer, with the feature itself set to drop on April 6. You can read more about the film […]

A German fighter pilot shot down over Crimea, rescued by nomadic tribesmen. A chronically depressed veteran, in near total isolation in the wilderness. A difficult pupil turned iconoclast pedagogue. Whether apocrypha or self-imposed legend, all these identities defined the persona of artist Joseph Beuys, arguably one of the most relevant and revolutionary forces in modern and post-modern art in the 20th century. A former soldier of the Third Reich, rehabilitated through a lifelong commitment to innovation, Beuys redefined the artist’s role in society as the ultimate act of public penance. From renowned pieces such as “How to Explain Pictures to […]

The U.S. trailer for Lynne Ramsay’s contemporary neo-noir, You Were Never Really Here, which won the Best Screenplay and Best Actor (for Ramsay and Joaquin Phoenix, respectively) at this year’s Cannes Film Festival, has just dropped. An adaptation of a Jonathan Ames story, it stars Phoenix as a modern-day gumshoe tracking down a kidnapped kid. Amazon releases in early ’18.

Director Jean-Stephane Sauvaire, whose 2008 debut feature, Johnny Mad Dog, was a thrillingly immersive journey into the world of African child soldiers, makes his long-awaited return to theaters with another picture — A Prayer Before Dawn — set within a violent community: Thai kickboxers in the country’s infamous Bang Kwang Central Prison. Wrote Guy Lodge at Variety upon the film’s Cannes premiere: Competition is stiff for the title of cinema’s most violently harrowing prison drama, and tougher still for the all-time most pummeling boxing movie. Gutsily, Jean-Stéphane Sauvaire’s A Prayer Before Dawn”comes out fighting for both, landing a number of […]

Filmmaker readers have long known the work of Jamie Stuart, whose inventive, deadpan dissections of film festival customs and rituals as well as elegantly lensed interviews graced our (web) pages for years. If you haven’t seen his byline around here much recently, there’s a good reason for that: he’s been making a feature. And now you can see some of it. A Motion Selfie is Stuart’s long-form debut, and he wrote, directed, starred, shot, scored, edited, color corrected…. well, you get the idea. Yes, A Motion Selfie is as DIY as you can get, with Stuart literally being his own […]

(WARNING: There will be spoilers) When Charlie McDowell’s mysterious film The Discovery debuted at Sundance last January, its distributor, Netflix, premiered a teaser trailer along with it — a good strategy, considering the film’s intriguing premise (that science has proven the existence of an afterlife) and its abundance of plot twists. No spoilers, please! A beautiful piece of promotion for a dark sci-fi romance ostensibly about life after death but essentially about a person looking for his soul mate, the teaser uses Roy Orbison’s “Only the Lonely” for an 88-second music-driven montage (a song not used in the film but well-suited for […]

“Aberrant behavior, bloody and grisly images, strong sexuality, nudity, language and drug use/partying.” So reads the information box on the R rating for Raw, Julia Ducournau’s tasty little horror film about a vegan who becomes a cannibal. Explicit films (gross-out horror flicks, bawdy comedies, sexy dramas) always face the same marketing challenge: how do you show the best parts of a movie when those moments might be too graphic? In the case of Raw, Focus World gave the movie two trailers: a mainstream gothic green-band trailer and a frenetically disturbing red-band trailer. Ironically, the two share a lot of the […]

When I interviewed Trey Edward Shults for our 25 New Faces list in 2015, he spoke of his new project: For his next film, Shults is again drawing on a family story — his father’s death. “It’s not a straight drama about a guy passing from cancer,” Shults says. “I’m trying to take those feelings and emotions and put them into something bigger. And, yeah, it’s like my version of a horror movie. People ask, ‘Wasn’t Krisha that?’ But it’ll be even more intense than Krisha.” I don’t know how much those intentions of Shults’s have shapeshifted since our interview, […]

No film has stayed and resonated with me from Cannes this past year as much as Olivier Assayas’s Personal Shopper, an eerie ghost story/character study laced with dark forebodings entirely entwined with our current political moment. IFC has just dropped a new trailer which focuses aptly on Kristen Stewart’s riveting performance as a buyer and stylist to a Davos-set celebrity socialite. Intrigued with the paranormal in all its historical dimensions, Stewart’s character is grieving her recently deceased brother while exploring the possibilities of communication in an age in boundaries are increasingly blurred. IFC releases the film on March 10. (And […]

“The sun dimmeth, the land sinketh, gusheth forth steam and gutting fire,” rasps Werner Herzog ominously, quoting Norse poetry from the Poetic Edda as bursts of lava erupt onto the screen in the trailer for his latest release, Into the Volcano (Netflix). The message is clear: the Underworld awaits. And your Teutonic guide is a veritable Stygian ferryman. So how do you market a madman? Or — more accurately — when? Herzog, the acclaimed septuagenarian director, first rose to prominence as part of the New German Cinema movement in the 1970s and quickly staked his claim in film’s firmament with […]

What looks to be a stellar high-profile collaboration between two Filmmaker favorites is Brent Green and Sam Green: Love Cinema, running for four nights, December 7 – 10, as part of BAM’s Next Wave series. The two filmmakers aren’t related other than sharing a skill for charismatically fronting live performances blending their movies with live performance and narration. Brent first appeared in Filmmaker way back in 2005, when he led our 25 New Face list that year. We’ve assiduously covered his work since, as we have with Sam Green, whose works include the documentary, The Weather Underground, and then live […]

Pablo Larrain’s Jackie is one of my favorite films of the year. You can read my interview with the director in the current print edition of Filmmaker, and you can see more of the film in this new trailer, just out from Fox Searchlight. It’s more revealing than the earlier teaser trailer Stephen Garrett wrote about here, and, in some ways, quite different in tone, foregrounding the political mythmaking element of the story. Check it out above.

Stephen Garrett’s “The Art of First Impressions” is one of Filmmaker‘s most widely read articles, an insightful and incisive guide to making a great movie trailer. We’re happy to have Garrett, who is not only a critic but also the founder of the trailer and marketing house Jump Cut, back writing for Filmmaker, beginning with a regular series on the creative direction of today’s most noteworthy trailers. This first installment begins with Garrett examining teasers for two films about political figures acquired by their distributors out of the Fall festivals: Barry and Jackie. — SM Despite a punishing election season […]

Producer Shrihari Sathe makes his directorial debut with 1000 Rupee Note, premiering this weekend in New York at the Village East. Sathe, whose credits include Dukhtar, Buffalo Juggalos, It Felt Like Love (and, full disclosure, A Woman a Part, in partnership with me), developed this story based on a short by Shrikant Bojewar, the resident editor of Maharashtra Times, one of India’s major newspapers. Here’s a description: Budhi, a widow, lives in a small village in Maharashtra, India — and her only son has committed suicide. Though poor and left alone in the world, she leads a cheerful life and […]

A24 has just released this trailer for Andrea Arnold’s Cannes prize-winning American Honey, starring Shia LaBeouf and riveting newcomer Sasha Lane. She’s the new recruit, he’s the troubled showboater and Riley Keough is the bikini-clad capitalist who has cultishly transformed a motley collection of street youth into a band of traveling grifters. Arnold, along with her regular DP, Robbie Ryan, creates an exuberant and kaleidoscopic vision of contemporary America in a film that creates its own entirely compelling rhythm.