Only 32% of the world’s population has access to the Internet. That figure, coming from the organization A Human Right, means that 4.6 billion people are effectively left out of the Information Age that most of us take for granted. Individuals and organizations across the world are working to ameliorate that and spread online connectivity into underdeveloped and rural areas from the U.S. to Kazakhstan. And films like Tiffany Shlain’s Connected (2011) are starting to probe what can happen to global consciousness when the collective wisdom of the world, not just our meager social networks, are finally truly linked together. […]

The past week witnessed big announcements from two divergent digital video platforms. VHX, the direct distribution site, lauded by the likes of Shane Carruth and Ira Glass, publicized its recently acquired $3.2 million in Series A financing. Spearheaded by new board member Andy Weissman of Union Square Ventures, the funding will allow VHX to expand into public beta, bringing their services to a greater user network. They’ve already put out a call for “filmmakers, distributors, publishers, educators and moving-picture-creators” who are ready to sell their work, thereby joining the ranks of Sound City, We Are Legion, Upstream Color, and, most recently, […]

It’s fitting that Chen Kaige kicked off TIFF’s Century of Chinese Cinema program last week in Toronto where he introduced screenings of his films and spoke about his career in two public talks. The movies of the Fifth Generation filmmaker cover several eras of Chinese society, ranging from pre-World War Two in Farewell My Concubine (1993) to today’s social media of Caught in the Web (2012). More importantly, Chen is a key figure in elevating Chinese cinema to the world stage, starting in 1984 — when his first film, Yellow Earth, shattered the tyranny of state-sponsored propaganda films — then […]

As of January 2013, comScore reports that 129.4 million people in the U.S. owned smartphones, accounting for more than half (55%) of mobile devices. A recent study by Harris Interactive for Telly, a social networking video service, conducted with 2,000 smartphone users projects that 78 million mobile device owners watch videos on their smartphones. One of the study’s surprise findings is that Apple’s iOS devices do not dominate the mobile video viewing market. Rather, Android devices are viewed by nearly one-half (46%), while Apple captured only a little more then a third (36%) while a little more than a tenth […]

Right now the answer is not entirely clear. The Xbox One, which was unveiled in a presentation last week, represents Microsoft’s latest bid for domination of the living room through a single multipurpose device. It’s not a complete reinvention of the Xbox brand, but it integrates and advances several technologies Microsoft has been working on over the years. Microsoft’s accompanying efforts to expand away from hardcore gaming into other areas of entertainment such as streaming video make it a viable contender to the PS4, Apple TV, and other devices/platforms. Here’s the video of the device’s entire reveal. The discussion of […]

For the final installment of Filmmaker and the MIT Open Documentary Lab’s interview project with the foremost thinkers on transmedia, IDFA DocLab’s Caspar Sonnen answers our questions. Sonnen is the new media coordinator for the International Documentary Film Festival Amsterdam (IDFA) and curator of the festival’s IDFA DocLab, a competition program for new forms of documentary and interactive storytelling. In 2008, Sonnen founded IDFA DocLab to create a platform for interactive and multimedia documentary storytelling that expands the genre beyond traditional cinema. Besides his work at IDFA, he is co-founder and programmer of the Open Air Film Festival Amsterdam. For an […]

In the penultimate part of Filmmaker and the MIT Open Documentary Lab’s interview project with prominent transmedia figures, D. Fox Harrell, Ph.D., Associate Professor of Digital Media in the Comparative Media Studies Program and the Computer Science and Artificial Intelligence Laboratory at MIT, answers our questions. Harrell’s research explores the relationship between imaginative cognition and computation. He develops new forms of social media, gaming, computational narrative, and related computational media systems based in computer science, cognitive science, and digital media arts. The National Science Foundation has recognized Harrell with an NSF CAREER Award for his project “Computing for Advanced Identity Representation.” He has worked […]

In the tenth part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab, Katerina Cizek gives her take on the way digital technology is shaping contemporary storytelling. Cizek is currently the director of the NFB’s HIGHRISE project, exploring new forms and new approaches to content. HIGHRISE is a multi-year, many media series of projects. You can see it at highrise.nfb.ca and her previous project Filmmaker-in-Residence at filmmaker.nfb.ca. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT […]

In the eighth part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab,  Vivek Bald, filmmaker, Associate Professor of Writing and Digital Media at MIT and a member of the MIT Open Documentary Lab, answers our questions. Bald’s ongoing project, Bengali Harlem, documents the history of two little-known groups of South Asian immigrants. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How did you become a digital storyteller? Were there […]

In the seventh part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab,  Ingrid Kopp, Director of Digital Initiatives at Tribeca Film Institute,  answers our questions. Kopp oversees the TFI New Media Fund, runs Tribeca Hacks and produces TFI Interactive during the Tribeca Film Festival. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How do you see people making the transition to digital interactive storytelling? Kopp: I think people have […]

In the sixth part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab,  Brett Gaylor, Senior Director of Mozilla’s Webmaker initiative (including Mozilla PopcornMaker and Popcorn.js)  answers our questions. Gaylor has previously been a member of the EyeSteelFilm documentary production company, the founder of Open Source Cinema and the web producer of Homeless Nation. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How did you become a digital […]

Mark Harris is a filmmaker and software architect. Mark writes software for gameplay, storytelling, and transmedia. Mark was a mentor at the first StoryCode StoryHack, and creative technologist on Lance Weiler’s Pandemic 1.0. Mark is also an alumnus of the IFP Narrative Lab. Mark’s transmedia project, The Lost Children, had its New York City premiere in Jan 2013 at Film Society of Lincoln Center, with a feature film and live immersive experience. In the Fall of 2012, Mark wrote his first immersive play for Epic Theater Ensemble, and in Spring 2013, Mark joins the hybrid studio/technology company Murmur. MIT Open Documentary Lab: How did you […]

The Senior Manager at the Sundance Institute’s New Frontier Story Lab, Kamal Sinclair came to interactive via an unlikely, but, in many ways, appropriate route. While many in the interactive and new media fields hail from technology and filmmaking, Sinclair began her career in a medium where she received direct feedback from audience members every night — the theater. A trained dancer, choreographer and actress, Sinclair joined the Off-Broadway production STOMP at only 18, spending the next six years on their stages. In the below interview, Sinclair describes how she went from nightly performing to Sundance, a journey that also […]

In the third part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab,  the executive producer of interactive production at the National Film Board of Canada, Hugues Sweeney, answers our questions. For an introduction to this entire series, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How do you see people making the transition to digital interactive storytelling? Sweeney: If you look at the music industry at the end of the 90s and the begin of 2000s, the smaller the labels/bands/publishers were, the faster they […]

Last week, Filmmaker and the MIT Open Documentary Lab kicked off their collaborative series of interviews with digital storytellers with a conversation with Zeega. (For an introduction to this entire series, read “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin.) In the second part in this series, Elaine McMillion talks about her work, mainly focusing on her interactive documentary Hollow, a “hybrid community participatory project and interactive documentary” that uses HTML5 to depict a West Virginia community via video, photography, soundscapes and interactive data. From her website, McMillion describes herself thusly: Elaine McMillion is a documentary storyteller […]

The first our series of interviews with digital storytellers, realized in collaboration with Filmmaker, here are the team behind the interactive storytelling platform Zeega. From the group’s mission statement: Zeega is revolutionizing web publishing and interactive storytelling for a future beyond blogs. With Zeega, you can use any media in the cloud, transform the entire screen into your playground, and share your interactive creations with the world. We’re living in a unique moment. More media than ever is recorded and shared. But the web today is dominated by a few platforms – all stories start to feel the same, trapped […]

“Do filmmakers need to learn to code?” The inspiration for this blog series came from this question. Software is part of our everyday life; in some circles coding is seen as the new literacy and a means of empowerment. At MIT’s Comparative Media Studies, where the MIT Open Documentary Lab is housed, we are confronted with this question on a regular basis as humanists sitting in a land of hackers who marvel at the power and elegance of code. Fluent in many programming languages, some of them believe that we all should be. In an effort to make coding more […]

Net neutrality may end this year. Verizon, AT&T and the American Legislative Exchange Council (ALEC) are spearheading a three-pronged attack against the open Internet and other open forms of digital communications. If they succeed, telecommunications will be further “deregulated” and, thus, further privatized and monopolized. As a consequence, telecom services will get more expensive, local requirements subordinated to the whims of huge corporate monopolies, competition and innovation will suffer and U.S. world ranking in terms of broadband speed – 15th today! – will further erode. One attack involves Verizon’s court challenge to the FCC’s very authority to regulate digital communications. […]

Film as Software The final installment of this series is about the actual screening of The Lost Children feature film at Film Society of Lincoln Center. In working out this screening, I am working with a concept called “Film as Software.” What exactly does this mean? To me it means film taking on some of the qualities of software. One of those qualities is the ability to react to user input in real time. That’s my take. But I asked Mike and Hal of Murmur to join in on the discussion. Murmur is the hybrid studio/technology company handling the interactive […]

For as long as I can remember, I’ve been a lover of science. Astronomy especially. I grew up watching Carl Sagan’s Cosmos, and James Burke’s great series Connections. Even today, I am indebted to writers like Neil deGrasse Tyson, Stephen Hawking and Sean Carroll for writing about subjects like black holes and the nature of time in ways that a layman like me can understand. I think people like this are imperative to society because many of the subjects they study are critical to us as a race. Two of those subjects are NEOs (Near Earth Objects) and astrobiology. NEOs […]