Belgian filmmaker Johan Grimonprez’s first feature, 1997’s Dial H-I-S-T-O-R-Y, intertwined news footage of plane hijackings with voiceover readings of passages from Don DeLillo’s White Noise and Mao II—he’s no stranger to rendering sweeping diagnoses within unorthodox historical frameworks. Soundtrack to a Coup d’Etat re-examines the assassination of Patrice Lumumba; the Soundtrack portion of the title points to the film’s other main strand, the political roles of American jazz musicians during the period, ranging from unwittingly complicit—Louis Armstrong performed a show in the Congo unaware that he was providing cover for CIA actions—to actively dissident, with the film bookended by vocalist […]

Archival footage and previously unseen home movies lend a new perspective of Christopher Reeve’s rise to stardom in Super/Man: The Christopher Reeve Story. Editor Otto Burnham shares his approach to cutting Ian Bonhôte and Peter Ettedgui’s doc, which makes it Sundance 2024 debut in the festival’s Premieres section. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job?  Burnham: I was rollerblading badly in East London on a bright, chilly January […]

Mel Eslyn, the head of Duplass Brothers Productions and the director of TIFF 2022 premiere Biosphere, makes her first directorial foray into episodic television with Penelope. Penelope tells the story of an alienated 16-year-old girl who venture into the wilderness to escape from society. Nathan M. Miller, who served as cinematographer on Eslyn’s Biosphere and has worked on several other Duplass Brothers productions, took on the job again for Penelope. Below, he emphasizes the series’ naturalist aesthetic and no-frills approach to lighting. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the […]

Conbody VS Everybody sees Debra Granik (Stray Dog) returning to documentary after 2018’s Leave No Trace and also breaking into the world of episodic series. The film follows Coss Marte as he creates a gym inspired by his own prison work outs in hopes of breaking the cycle of recidivism. Two episodes of Conbody VS Everybody will premiere at Sundance 2024. Below, series cinematographers Sean Hanley, Kefentse Johnson and Eric Phillips-Horst share how they all got involved in the film, how their personal styles blended with Granik’s and the challenges of shooting a series over many years. See all responses to […]

Jack Huston has worked with Scorsese, Ridley Scott, David O’ Russell, The Coens, had meaty roles on series like Mayfair Witches, Fargo, and, maybe most notably, Boardwalk Empire, where he played Richard Harrow. His latest project is Lulu Wang’s Amazon series Expats. On this episode he talks about gaining 30 pounds for that part (which wasn’t as much fun as it sounds), why it all starts with the voice for him, writing and directing his passion project The Day of The Fight for Michael Pitt and Joe Pesci, and he reveals a common trait of all great directors he’s known. […]

Tendaberry, the feature debut from writer-director Haley Elizabeth Anderson, follows 23-year-old protagonist Dakota (first-time actor Kota Johan) throughout an entire calendar year as she experiences day-to-day life in New York City. Specifically, Dakota and her boyfriend Yuri (model Yuri Pleskun, who previously appeared in the Safdie Brothers’s Heaven Knows What) reside in the South Brooklyn neighborhood of Brighton Beach, which is alight with sunbathers and Coney Island-bound tourists in the summertime, but otherwise very quiet—save for the constant hum of ocean wave and gulls—during the off-season. A permanent air of loneliness engulfs Dakota when Yuri travels back to Ukraine to […]

There’s a story about a Soviet commissar who, upon seeing Solaris, proved that he both completely understood the movie and didn’t understand it at all by indignantly demanding to know what the point is of humanity going from one end of the universe to the other if they bring all their emotional shit with them. That’s not far from the moral of Aaron Schimberg’s third feature A Different Man, the story of a man who gets radical plastic surgery only to find out he still has to live with himself. Containing elements of Seconds (plastic surgery with unintended consequences) and […]

Premiering in the NEXT section of the 2024 Sundance Film Festival, Desire Lines presents the time-traveling journey of an Iranian-American trans man, utilizing a vast archive of queer images in order to transport him between time and space. Filmmaker and queer scholar Jules Rosskam also served as the film’s co-writer, producer and editor. Below, he describes why he always opts to edit his own work, the various artists that inspire him and a reoccurring motif the film contains that revealed itself during the edit. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you […]

Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? The Philippines—in all its contradictions, its beauty, its spectacle, its heartache. I’ve made many films about where I was born, but I’ve always wanted to make a film about exuberance, even if it does not have a happy ending in conventional terms. […]

Born and raised in the Bronx, rapper Kemba guides viewers through some of the largest issues involving rap lyrics, freedom of speech and the First Amendment in As We Speak, the directorial debut of J.M. Harper. Looking at cases both in the U.S. and internationally, Harper’s documentary poses insightful questions about who is protected, or perhaps left vulnerable, by these legislative battles. Emma Backman, who previously collaborated with Harper on a series of commercials, discusses her experience cutting the film, which served as one of her first major feature-length projects as an editor. See all responses to our annual Sundance […]

Issues concerning freedom of speech and the First Amendment intersect with the world of rap music in As We Speak, the directorial debut from J.M. Harper. The documentary follows Bronx-based rapper Kemba as he unpacks how legal battles involving rap lyrics, both in the U.S. and abroad, might shape the the future of his craft. Married cinematographer duo Logan Triplett and Allison Anderson Triplett discuss the challenges and rewards of collaborating on this project as a unit—the first time they’ve done so on a feature film—with Logan penning answers for both parties. See all responses to our annual Sundance cinematographer […]

Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? The opportunity to be in this incredibly rich and stunning forest in the Eastern Himalayas and make a film here has been life-altering for us. How to share what we saw with our eyes, heard with our ears, and felt with our being? Could […]

Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? As We Speak investigates the war between rap lyrics and the criminal justice system by reaching back to the 400-year history of black lyrics in America. In order to communicate, enslaved Africans sang on slave ships in languages that their European captors […]

As We Speak, the directorial debut from J.M. Harper, follows the growing phenomenon of rap lyrics being used during legal battles both in the U.S. and abroad. Rapper Kemba acts as a guide through the murky waters of the First Amendment, investigating who it protects—or doesn’t—when musicians and their art stand trial. First-time producer Sam Widdoes, who currently works as an attorney and was formerly a journalist, chronicles how he came aboard As We Speak and the myriad ways that his career background acted as a boon during the development of this documentary. See all responses to our questionnaire for […]

A French co-production shot entirely in Iran, In the Land of Brothers follows three Afghan refugees who struggle for decades to make Iran feel like a real home. The film is the debut feature of Raha Amirfazli and Alireza Ghasemi, who previously co-directed the short Solar Eclipse together. The film was produced by first-time producer Adrien Barrouillet, who discusses how he came up in the industry and recalls the moment he knew the film was in a good position. See all responses to our questionnaire for first-time Sundance producers here.  Filmmaker: Tell us about the professional path that led you to produce […]

In the Summers follows two sisters who, during their formative years, spend the summers visiting their caring but volatile father in New Mexico. The film is the feature debut of Alessandra Lacorazza and also the first producing credit for Daniel Tantalean. Below, Tantalean details the long journey in getting the film made, extols his mentors and community, and shares what he learned. See all responses to our questionnaire for first-time Sundance producers here. Filmmaker: Tell us about the professional path that led you to produce this film, your first? What jobs within and outside of the film industry did you do, […]

In the midst of the chaotic Alberto Fujimori dictatorship, two girls and their mother plan to leave Lima for the United States, but they first attempt to reconnect with the estranged father. Such is the premise of Reinas, the third feature film by Klaudia Reynicke (Love Me Tender, The Nest). A proper emulation of 1992 Lima was of particular importance to the filmmakers. Below, cinematographer Diego Romero Suarez-Llanos dives deep into the lighting schemes the filmmakers used to pull it off. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer […]