Exuberantly maximalist in approach, Jazmin Jones’s blast of a debut feature, Seeking Mavis Beacon, is a rapid-fire blend of neo-noir road movie, desktop essay film and meta critique of the “searching for” documentary subgenre. The picture follows Jones and cyber doula friend Olivia McKayla Ross — self-described “e-girl detectives” — on their years-long journey to locate Renee L’Espérance, the Haitian-born model whose face in 1987 adorned the software packaging for the typing instructional program “Mavis Beacon Learns to Type.” As the program sold in the millions, the character of Mavis Beacon, who many believed was a real person, became an […]

“Make space to think about that which has died,” begins Lydia Lunch at the start of DELIRIUM PART ONE: DEATH (The Breakdown), a new multi-media installation by filmmaker and artist Michelle Handelman up through January 20 at New York’s signs and symbols gallery. On three projections spanning the viewer’s peripheral vision are performances by Lunch as well as the choreographic duo FlucT and dancers; the score, by Jack Dangers and Pharmakon, blends electronic drones, pulses and rhythmic stabs with breath and guttural sounds — “the cacophony of grief,” says Lunch. Together, the work is both a departure for Handelman and […]

Those of us who live in New York are treated each fall to a Whitman’s Sampler of world cinema, a curated selection of highlights from some of the year’s most prestigious international festivals. It’s hardly a large sample size, given the annual output of theatrical films worldwide, but it’s a weathervane nonetheless. Which way were the winds blowing this year? Take what I say below with a grain of salt. I saw 27 feature films at NYFF 61, out of the 44 selections programmed in the Main Slate and Spotlight sections. A modest sample within a modest sample, in other […]

On November 15, at a DOC NYC panel called “Balancing Storytelling and Financial Stability,” South African filmmaker Milisuthando Bongela, director of the acclaimed 2023 Sundance film Milisuthando, recounted her unfortunate story of funding gone wrong—and how powerhouse nonfiction studio XTR offered her production hundreds of thousands of dollars in grant money last November to help her deliver her documentary for its Sundance premiere, and then, five weeks later and after repeated attempts to follow up, the company responded that they were withdrawing the offer. “When she told this story, I was shocked,” says prominent Oscar-winning documentary producer and Story Syndicate […]

Early in music supervisor Lucy Bright’s career, she worked at Warner Classics and managed composer Michael Nyman. In 2020 she started Bright Notion Music, her own music publishing company, which has signed composers such as Hildur Guðnadóttir, Oliver Coates, and Anne Nikitin. She is known for critically acclaimed British films such as The Arbor and Slow West and more recently Tár, where her classical understanding and personal familiarity with the composers referenced in the script, helped create the movie that was named Best Picture by several major critics associations. Bright was also awarded the first ever prize for music supervision […]

Over her two-decade-long career, music supervisor and self-confessed music nerd Susan Jacobs has worked with directors such as Robert Altman, Jean-Marc Vallée and Spike Lee. She has worked on notable TV series and films such as I, Tonya, American Hustle, and Little Miss Sunshine. She won the first ever Emmy award for music supervision for her work on Vallée’s Big Little Lies, where she worked without a composer, handpicking specific sounds and musical artists for each character in an attempt to mirror the intricacies of their personal lives. On another Vallée project, Sharp Objects, Jacobs exhibited this aptitude again, building […]

After going to school for film at the University of East London, Jemma Burns began music supervising on TV series Summer Heights High. She has worked on noteworthy film and TV series’ like Okja and Top of the Lake. More recent credits include Heartbreak High, which featured 128 songs of different genres, from pop ballads from musical artists like Dua Lipa and Steve Lacy to more underground drill and trap beats. For the Ari Aster film Beau is Afraid, Burns was able to land Mariah Carey’s “Always Be My Baby” for a peculiar and freaky sex scene by being strategic […]

This post is part of a series, Girlblogging. Read the introduction here. Maybe you have seen this image: five outlines of a head (turned sideways in profile), each holding (in its mind’s eye) one of four images of apples stamped (from left to right) in decreasing order of detail, except for the last head, which is empty. This is an image of images, an image about how imagination works.  At its most basic level, imagination is image visualization. When you think of an apple, what do you see?  In The Love Witch (2016), witchcraft looks a lot like imagination—energy concentrated […]

SFFILM has announced the 17 recipients for the 2023 SFFILM Rainin Grant, awarded in partnership with the Kenneth Rainin Foundation, which includes $425,000 in funding and professional support for narrative projects at different stages of production. From the press release: The SFFILM Rainin Grant program is the largest granting body for independent narrative feature films in the US, and supports films that address social justice issues—the distribution of wealth, opportunities, and privileges—in a positive and meaningful way through plot, character, theme, or setting. Awards are made to multiple projects once a year, for screenwriting, development, and post-production. Recipients are offered […]

After supporting a range of programs uplifting the independent film community, including Sundance’s Art of Nonfiction and the Dear Producer Award, philanthropist, grant maker and producer and executive producer (Pahokee, Aleph, The Tuba Thieves), Maida Lynn recently announced through her company Facet a new “experimental” initiative, the Producer Group. Rather than the traditional model of providing project-specific support that sees grantees working individually, and different in many ways from the prevalent “lab” model, where supported filmmakers gather for brief bursts of mentorship from industry professionals, the Producer Group will attempt to foster collaboration between producers and “create a space for […]

When I was a student at Bard, I spent a lot of time looking at a poster taped to Ed Halter’s office door for Matt Wolf’s 2008 film Wild Combination: A Portrait of Arthur Russell, about the composer, country-folk singer, disco trailblazer and avant-garde pioneer who passed away in 1992 of AIDS. Sometime later, I hosted a screening of Keep The Lights On by Ira Sachs, which is full of Russell’s beautiful music. Ira told me afterward that he had discovered the artist through Wild Combination, a film that introduced a lot of people to Russell but which also introduced […]

Kino Lorber, a leading name in independent film distribution for over 45 years, has launched Kino Film Collection, a new streaming service available in the U.S. on the Amazon Service via Prime Video Channels for $5.99 per month. As their press release states, “The Collection will feature new Kino releases fresh from theaters, along with hundreds of films from its expansive library of more than 4,000 titles, many now streaming for the first time.” Highlights now available on the service or soon to be added include notable titles Filmmaker has covered over the years, such as Andrew Bujalski’s Computer Chess, […]

Sundance Institute announced today the 2023 lab fellows selected for their 10th Episodic Lab program, taking place at the Sundance Resort in Sundance, Utah. The selected eight artists are Daniela Bailes (The Letters), Elaine Hsieh Chou (Get Home Safe), Marissa Díaz (Cochinas), Sam Dunnewold (Guts), Laurie Hartung (Rabbit Hole), Farah Merani (The Painted Muse), Sylvia-Anne Parker (Blackbirds) and Hernando Cortes Watson (Horsepower). From the press release: Their eight projects include themes that explore family secrets, vengeance, sex positivity, magic, revolutionaries, and world-class stallions. Designed to bring together early-career writers with an original series IP that has not yet been produced, […]

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A neo-Western that premiered on March 16, 2010, Justified is about a man outside of time: Deputy US Marshal Raylan Givens (a tall, lithe and supremely self-confident Timothy Olyphant), who metes out frontier justice (i.e. shoots folks at the drop of his very large hat) despite his temporal position in Obama’s America. Elmore Leonard made his bones writing (lots of) Westerns in the ’50s and, even after branching out into the super-cool super-bare crime novels he became famous for starting with The Big Bounce (1969), continued to dip into the genre; his 2001 long short story “Fire in the Hole,” […]

Heather Dewey-Hagborg is on a mission to confront the uncomfortable future, especially when it comes to emerging tech. Stranger Visions features portrait sculptures crafted from analyses of genetic material the transdisciplinary artist, educator and filmmaker literally picked up in public places (one person’s discarded cigarette butt is another’s way into a stranger’s DNA). T3511, a collaboration with cinematographer Toshiaki Ozawa (Laurie Anderson’s Heart of a Dog), sees an anonymous saliva sample become fodder for the alchemizing of the perfect romantic partner. Now there’s Hybrid: an Interspecies Opera, perhaps Dewey-Hagborg’s most ambitious work to date. Opening at NYC’s Fridman Gallery on […]

A passion for cinema and its most well-known and iconic action stars of the past decades, including Bruce Lee, Jean-Claude Van Damme, Sylvester Stallone and Tom Cruise. A passion that at first nurtures a desire to imitate, but then finds an organic landing place with the creation of an original film character Donato Lecce plays in a film he self-produces: Doran Eccel. But that’s not all. Donato—a martial arts expert and profound connoisseur of Eastern philosophy—is an multi-hyphenate talent, self-producing several artistic projects in fields from music to publishing to cinema. All revolving around the figure of a fictional character—Doran […]

The Gotham Film & Media Institute, Filmmaker‘s parent publisher, today announced the nominees for the 33rd annual Gotham Awards, to be held this Monday, November 27 at Cipriani Wall Street. All of Us Strangers leads the feature film nominations with four total. Click here to watch the live-streamed nominations announcement, or read them below. Best Feature Passages Ira Sachs, director; Saïd Ben Saïd, Michel Merkt, producers (MUBI) Past Lives Celine Song, director; David Hinojosa, Pamela Koffler, Christine Vachon, producers (A24) Reality Tina Satter, director; Brad Becker-Parton, Riva Marker, Greg Nobile, Noah Stahl, producers (HBO Films) Showing Up Kelly Reichardt, director; […]

When thinking of Armenian cinema, the names of Sergei Parajanov and Artavazd Peleshyan come to mind. These two titans are influential not only for Armenian or Soviet cinema but world film heritage. Both introduced unique storytelling methods—one infusing the screen with poetry and collaged images, the second conceiving of the “Distance Montage” technique. But Armenian cinema, which marks its 100th anniversary this year, has other notable filmmakers whose work deserves no less recognition.  ArmenFilm (HayFilm), the first and main film production body of Armenia, was established in 1923 as a separate department within the People’s Commissariat of the Soviet Armenia. […]

Upon the release of her 1985 memoir, Elvis and Me, Priscilla Presley sat down with Barbara Walters to explain her objectives in writing the book: “[Elvis] was a human being, that’s the aspect I’m trying to show. That’s all. That was the intent of the whole book: to show a love story, a man, a human. Not the performer, not the image, not the idol.” In many ways, this is also the aim of the average biopic: to pull back the curtain separating public from private, to reveal the “truth” behind legends and complicate accepted narratives. But while these films […]